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octuber 2015 Reflections: 4th Anniversary Issue



 TABLE OF CONTENTS

Editorial
In Focus
Photo Essay
S-21
Profiles
Hameed Haroon
In Conversation with Salima Hashmi
Reviews
Ai Weiwei
Paracosm ll
Imran Qureshi: Idea of Landscape
A Borderless Time
The Very Silent Stories
Undoing / Ongoing
Of Lines and Life
Encountering Komail: of Manuscripts and Elegance
Book Review | Madaar Lives of an Artist
EDITORIAL
IN FOCUS
Photo Essay
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S-21

by Amean J

“A photograph can not only communicate emotions but can also serve the human condition.” Bruce …

Profiles
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Hameed Haroon

by Aziz Sohail

In Pakistani publishing and media. and art and culture communities, the name of Hameed Haroon …

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In Conversation with Salima Hashmi

by Farida Batool

Salima Hashmi is an acclaimed artist, writer and the Founding Dean of the School of …

Reviews
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Ai Weiwei

by Ariane Belisle

A thicket of reconstructed trees greats visitors as they enter the Royal Academy’s courtyard. The …

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Paracosm ll

by Dua Abbas Rizvi

For many artists and writers whose own lives were insular, sequestered, lived out behind oak-panelled …

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Imran Qureshi: Idea of Landscape

by Zahra Khan

Stepping into Imran Qureshi’s ‘Idea of Landscape’ at Galerie Thaddaeus Ropac, is akin to stepping …

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A Borderless Time

by Sehr Jalil Raja

Art, history and academia are three sisters. They live under one roof, come from the …

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The Very Silent Stories

by Varda Nisar

‘Chup Kahani’ when translated simply means “Silent Stories”. Stories is an interesting word, because I …

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Undoing / Ongoing

by Maha Malik

“It took the war to teach it, that you were responsible for everything you saw …

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Of Lines and Life

by Ayesha Akif

Canvas Gallery in Karachi recently exhibited the works of three young artists in a collective …

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Encountering Komail: of Manuscripts and Elegance

by Shireen Ikramullah Khan

Symbolism began as a reaction to the literal representation of subjects preferring to create more …

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Book Review | Madaar Lives of an Artist

by Sehrish Rafique Malik

Madaar took me to different worlds, constructed with words which are around us, yet which we …