Letter from the Editor-in-Chief

  Welcome readers, to the December 2018 issue of ArtNow, “Connecting Flights”, where we are … →

Letter from the Editor

  In late nineties, I visited a Pakistani architect in Istanbul, and during our discussion, … →

Letter from the Guest Editor

Amna Naqvi is the Founder and Director of the AAN Foundation and AAN Gandhara Art … →

DILEMMAS OF HOME, AWAY FROM HOME  

    The word diaspora derives from the Greek words for “disperse” and “scatter” and … →

In Between Time and Space

    Communities and individuals, whose identities are post-national, not limited by geographical boundaries and … →

Connecting Flights

In Conversation with Nusra Latif Qureshi

    AH: Can you tell our readers about your background? I come from Lahore, … →

Faiza Butt – A profile

Bold, vibrant, dynamic, intelligent, beautiful, eloquent are some of the words that can be conjured … →

Vagaries of a non-objective mind

  A two-person show titled ‘Vagaries of a non-objective mind’ opened at Full Circle Gallery, … →

Spaces  

  Existing in a space essentially creates a non-verbal conversation between the participant and their … →

ONE

In honour of their one-year anniversary, Art Kaam Gallery held a group show displaying works … →

Spectacle-less – 6/6

  Does one need to have prior academic understanding of Visual Arts or the professional … →

Picasso Metamorfosi  

  The Picasso Metamorfosi (Picasso Metamorphosis) exhibition has been organized from October 18th, 2018 to … →

BOOK REVIEW| Monkey’s Right to Paint And the Post-Duchamp Crisis  

  Monkey’s Right to Paint And the Post-Duchamp Crisis By Bedri Baykam Illustrated. 319 pp. … →

Silence in Rebellion

  Having grown up witnessing subtleties of gendered violence and dealing with prohibitions of the … →

As the Light Turns

Pakistani based artist and writer Omer Wasim explores the queer qualities of urban spaces and … →

War and Social Criticism

It is not often that art audiences in Pakistan get to experience works that offer … →

Existential Predicament

  John Russell, in his book The Meaning of Modern Art: History as Nightmare, Vol. … →

Art for Education: Contemporary Artists of Pakistan at Museo Diocesano Carlo Maria Martini

  A valuable collaboration between one of Asia’s largest non-for-profit educational organizations and a leading … →

Of Full Presence

Body becoming was the latest exhibition of in a series of conversations, workshops, and performances … →

No Filter

Curated by Pomme Amina Gauhar, the show “No Filter” opened on November 15th at the … →

A.S. Rind

Concept and symbolism have always been two highly essential factors of art, rather two perspectives; … →