Welcome to the May issue. This issue brings together a wide spectrum of voices, practices and perspectives that continue to shape the contemporary art discourse in Pakistan.
At its core is the editorial by Quddus Mirza, whose critical lens has consistently contributed to the understanding of evolving artistic languages and cultural narratives within the region. His editorial sets the tone for an issue.
A significant highlight of this edition is a profile of Hajra Haid r Karrar done by Zohreen Murtaza. The profile covers Hajra’s curatorial contribution at the ninth edition of Colomboscope exploring the theme ‘rhythem’. Her practice, rooted in research, ecology and transnational dialogue, has been thoughtfully explored in this profile offering readers an in-depth understanding of her curatorial vision and intellectual engagement with contemporary art and environmental consciousness.
The issue also features a profile on Usayd Agha, written by Nusrat Khwaja. The profile reflects upon the artist’s evolving practice and the distinct visual vocabulary that continues to position his work within meaningful contemporary conversations.
Alongside the written features, the photo essay section documents exhibitions and artistic encounters through carefully selected visual narratives, extending the reader’s engagement beyond text and into the spatial and material realities of the exhibitions themselves. Several of these exhibitions also engage with themes of sustainability, urban transformation and humanity’s relationship with nature, reinforcing how art can become a powerful medium for environmental awareness.
The essays segment includes a compelling contribution by Haroon Shuaib, adding another layer of critical inquiry to the publication. Complementing these essays are extensive exhibition reviews from across Karachi, Lahore and Islamabad, covered by our correspondents who continue to document the rapidly shifting artistic landscape of the country with consistency and depth.
Heartiest congratulations to Wardah Shabbir on participating in the 61st International Art Exhibition of La Biennale di Venezia, Minor Keys, curated by Koyo Kouoh. Shabbir’s work emerges from careful observation, where nature and architecture quietly enter into conversation with one another. Her layered spaces appear slowly overtaken by vegetal forms; roots and branches replace bodily presence, hinting at cycles of dependence, decay, and renewal. More power to Pakistani artists who are making waves on international art platforms.
Taken together, each issue reflects ArtNow’s ongoing commitment to creating a platform that not only archives contemporary artistic practices but also fosters rigorous dialogue, critical writing, and meaningful cultural exchange. At a time when conversations around climate change have become increasingly urgent, ArtNow also acknowledges the responsibility of art and artists in provoking awareness, reflection and collective responsibility toward the environment and the future we are shaping.
Stay tuned for interesting issues ArtNow Pakistan brings for the readers.
Bye for NOW