Category: Reviews
In Quiet Illumination
Unfolds as a contemplative exhibition that brings together seventeen artists from across the world, each engaging with the idea of illumination t [...]
The Material Life of Memory: Participatory Archives in The Recycle Bin
Maryam Kouhestani’s sixth iteration of the Recycle Bin Project, exhibited at the Vasl Artists’ Association in November, offers one of the most co [...]
Scattering Stars Like Dust
Aisha Khalid’s exhibition was a meditation for viewers where miniature discipline and monumental form converge to chart grief and devotion as acts of [...]
Art, Attention, and the Rating Economy
Adeel-uz-Zafar’s Over Rated / Under Rated interrogates how artistic value is constructed, circulated, and unevenly assigned within contemporary art [...]
Kitab Ghar: A Curated Cosmos
Curated by Venetia Porter with Imran Qureshi, Zohreen Murtaza, and Mahina Reki, the exhibition united leading voices in contemporary Pakistani art.[...]
Understanding the Innate Visual Language
When I visit art exhibitions I go in with a rule: I don't look at the titles of the works. Though titles can be an enriching detail that adds depth a [...]
Between Memory and Modernity: Reimagining the Phulkari Tradition
Tradition, as Michelle Maskiell reminds us, is never a static inheritance but a living construct—continuously reshaped by those who hold the powe [...]
Towards a Universal Language of Art: Sanki King at Louvre Abu Dhabi
Sanki King’s presentation at Louvre Abu Dhabi reflects his pursuit of a universal artistic language that transcends conventional artistic boundaries
[...]
Investigative Aesthetics: Towards a Politics of Practice
The exhibition showcases nine emerging artists who use art as a tool for inquiry, turning creative practice into research-driven exploration.“Inv [...]
Tracing Breath: A Review of From the Mountains to the Sea
Niamat Nigaar transforms landscapes into emotional terrains, stitching together themes of memory, displacement, and the passage of time...In [...]