As we step into a new year, I would like to begin by wishing our readers, artists, writers, and the wider art community a thoughtful, and generous 2026.
January always brings with it a sense of renewal and quiet resolve, and this year feels particularly significant as ArtNow enters its 16th year—stronger, more focused, and deeply committed to documenting and engaging with contemporary art practices in Pakistan.
This month, we also turn our focus to Indus Valley School of Art and Architecture, recognising its major contribution in shaping generations of artists, designers, and thinkers, and its lasting impact on the art scene of Pakistan.
As part of this focus, we present an in-depth interview conducted by me with Zubyr Soomro, Chair at Indus Valley School of Art and Architecture, where he speaks at length about his role and responsibilities, the institution’s evolving direction, and future plans that look toward growth, reflection, and relevance.
Indus Valley School of Art and Architecture is an institution we have covered in the past and continue to revisit because of its pivotal role in shaping the country’s art and design landscape. Speaking to Zubyr Soomro was particularly enlightening. Our conversation revealed layers of the institution’s functioning that rarely enter public discourse. He spoke candidly about the governance structures at IVS, explaining how dedicated committees work collectively to ensure transparency, accountability, and long-term sustainability.
As he shared, the institution functions through a carefully thought-out system where planning, execution, and operations are not isolated processes but deeply interconnected. He spoke about how decisions are debated, refined, and implemented through collaborative frameworks, and how governance at IVS is designed to remain robust rather than personality-driven. These insights offer readers a rare glimpse into how one of Pakistan’s most influential art schools actually operates behind the scenes.
January issue is further strengthened by an insightful editorial by our Editor, Quddus Mirza, whose thoughtful and rigorous engagement each month continues to make the magazine intellectually grounded and critically sharp. We also feature photo essays from the IVS thesis degree show, capturing the energy and concerns of emerging voices, alongside a considered essay by our team member Alizeh Afzal. Reviews by our special correspondents Eman Farhan and Umer Ahmed add further depth, offering close readings and critical perspectives.
Over the past year, Pakistani artists have continued to make their presence felt on international platforms, participating in major global art events and exhibitions. Their engagement with these spaces reflects not only individual excellence but also the growing confidence of our art scene. We congratulate all those artists who represented Pakistan internationally and contributed to widening the conversation around practices beyond borders.
Closer to home, the momentum across Karachi, Lahore, and Islamabad has been both energising and encouraging. From gallery exhibitions and institutional shows to independent initiatives, the art scene has remained active, responsive, and resilient. We extend our congratulations to artists, curators, galleries, organisers, and writers whose sustained efforts continue to shape these cities as vital cultural centres. A special note of celebration goes to Chawkandi Art Gallery on completing forty years, a landmark achievement that speaks of unwavering commitment to artists and ideas. Zohra Husain, in particular, deserves heartfelt applause for her enduring role in nurturing and sustaining Pakistan’s contemporary art discourse.
In keeping with our commitment to broad and inclusive coverage, this issue includes exhibition reviews from Karachi, Lahore, and Islamabad, reflecting the diversity of practices and conversations unfolding across the country.
At ArtNow, none of this comes together without sustained effort. From planning and research to editing and execution, our team works tirelessly behind the scenes to bring you special editions month after month. Their dedication, attention to detail, and belief in what this magazine stands for is what allows ArtNow to continue growing with integrity and purpose.
Thank you for reading, for engaging, and for standing with us. As we move forward into 2026, we do so with optimism, responsibility, and a continued commitment to thoughtful, meaningful storytelling.
Fawzia Naqvi
Chief Editor, ArtNow Pakistan