The Ghosts of Past and Future: Pakistan in Venice
Pakistan Pavilion marked its debut at the 58th edition of the Venice Biennale with Manora: Field Notes, a solo presentation by multi-disciplinarian ar [...]
Letter from the Editor
The distance between Venice and Manora, two islands, is 5354 kilometres, but it took several years to bridge that gap. This year, for the fi [...]
Brian Fahlstrom at Reflex Amsterdam
American painter Brian Fahlstrom’s pictorial work at the Reflex Gallery in Amsterdam portray illusory landscapes that interchange between tw [...]
Water and Colour
Landscape painting and botanical studies are the common subjects found in watercolour paintings and in fact it has been an age old tradition [...]
When a place becomes
There seems to be no other word from the overly discredited nostalgia for the complex emotions that we harbour about the past, about [...]
Manora Field Notes, Naiza Khan
Works in the first gallery respond to an archival weather report from 1939 - The India Weather Review - which Khan retrieved from the dilapi [...]
In conversation with Zahra Khan, curator of the Pakistan Pavilion
ArtNow: The relationship between curator and artist is a unique personal and professional one. What drew you to selecting Naiza Khan to be a solo arti [...]
A Collective Dream: One Night Stand/Coup d’un soir
On May 13, 2019, Amin Gulgee curated an exhibition of performance art featuring 32 international artists at the Cité international [...]
If You Have A Garden In Your Library
AAN Gandhara Art space opened a show titled If You Have A Garden In Your Library - 1 on the 11th of April, 2019. Curated by Malika Abbas and with Amna [...]
JAMAL SHAH AND THE VENICE BIENNALE
Ernst Fischer in his book “The Necessity of Art” writes that the function of art “is always to move the whole man, to enable the “I” to iden [...]