Profiles
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In Conversation with Asad Kamr...

by Jovita Alvares, Artnow

  A 23 year old artist from Karachi, Pakistan. Asad Kamran is currently enrolled at …

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Amin Gulgee: curator of Karach...

by Syed Ammad Tahir

  Amin Gulgee has long be known in the art world for his quirky and …

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In Conversation with Laila Rah...

by Zohreen Murtaza

Laila Rahman is an accomplished artist, printmaker, art educator who has exhibited both nationally and …

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An Uncanny Simplicity...

by Zohreen Murtaza

Arthur C. Danto, as he ruminates over the definition of art in “What Art is” …

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Saira Sheikh – Obituary...

by Rabeya Jalil

Saira Sheikh (1975-2017) – Her beautiful smile and gleaming eyes are alive forever.   She …

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REREADING REENA KALLAT...

by ArtNow Pakistan

Normally the good piece of poetry is described as a verse that cannot be translated. …

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Jamal Shah, A Man of Many Dime...

by Zainab Omar

  For Jamal Shah art and cultural creativity are a vital necessity for any society. …

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The Beauty of Chaos...

by Zohreen Murtaza

As I commenced researched for this interview one painting from F.S Aijazuddin’s  “Lahore Illustrated Views …

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Book Covers by Sadequain...

by Sibtain Naqvi

Through his four decades of active work, Sadequain made hundreds of paintings, executed several murals …

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Book Covers by Fatah Halepoto:...

by Ayaz Jokhio

As often said and assuming that its true that an artist’s real identity is his …

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A Tea Party that Stained: An I...

by Varda Nisar

The idea of seeing a performance group from a collaborative based in Islamabad is as …

Amna Naqvi

Challenging Notions: Of Disrup...

by Hajra Haider Karrar

  Hajra Haider Karrar: How did an MBA lead to the inception of Gandhara Art …

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Tazeen Qayyum: The Anatomy of ...

by Zohreen Murtaza

There is a price to pay for apathy. One thinks of poor Gregor in Kafka’s …

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Where She is Not…: On the wo...

by Sehr Jalil

  We sync all new writing and art with history, literature and poetry. We make …

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In Conversation With Dr. Henry...

by Veera Rustomji

In January 2017, Dr Henry Kim spoke at the FOMMA trust about the Aga Khan …

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The Maverick Of Social Change ...

by Zohreen Murtaza

There are many artists whose convictions and varied interests have been such that not only …

LONDON, ENGLAND - FEBRUARY 17:  Imran Qureshi: Where the Shadows are so Deep installation images at The Curve  at Barbican Centre on February 17, 2016 in London, England.  (Photo by Tristan Fewings/Getty Images for The Barbican Art Gallery) *** Local Caption *** Imran Qureshi

The Ethical Artwork...

by Julius John Alam

I often wonder,  Why does man kill man? Here are some thoughts concerning the same: …

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Osman Khalid Waheed...

by Nour Aslam

Art is one of those rare forms of expression that can inspire passion in a …

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Afshar Malik- The Byronic Arti...

by Mariam Qureshi

The quest for love is the most crucial in art making. Finding love is more …

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Interview: Dr. Theres Rhode...

by ArtNow

ArtNow: Tell us about your work as a museum curator (e.g. your years of observing …

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Unver Shafi Khan – A Painter...

by Nusrat Khawaja

A visit to Unver Shafi Khan’s studio reveals a capacious, high-ceilinged room. Diffuse light enters …

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Ali Kazim: Ruins...

by Zahra Khan

“Each artist has his or her own magic – each has his or her own …

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Afshar Malik: The Amphitheatre...

by Zohreen Murtaza

Afshar Malik is a multifaceted artist who has had an impressive career that spans over …

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Naiza Khan: Alternative Art Sp...

by Hajra Haider Karrar

  Naiza Khan is a visual artist investigating corporeal and coastal geographies through sensory and …

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In Conversation with David Cha...

by Zohreen Murtaza

Zohreen Murtaza: I would like to ask you about your life before Pakistan, what prompted …

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All Must Toil For Freedom’s ...

by Sehr Jalil

My youngest cat, the one in the prime of her youth strides elegantly, pretending to …

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Projections of Transformity...

by Omer Wasim

Humans have always had a fascination with animals. Animals have power, bring us closer to …

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Jamil Naqsh: Art is a Way of L...

by Marjorie Husain

For Jamil Naqsh painting is a way of life. He is a man who has …

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Studio Visit: Amin Rehman R...

by Ali Adil Khan

The great philosopher Socrates in 399 B.C. said that “an unexamined life is not worth …

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The Man Who Grew His Own Wing:...

by Sehr Jalil

Sehr Jalil: Was observation the first alphabet of your ‘image-making’ or did imagination play a bigger …

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The Language of Building Bridg...

by Numair A. Abbasi

One of the rife discourses on art focalize on the question of art activism – …

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Naiza Khan: Between Reasonings...

by Sehr Jalil

Residency is rather a strange word – presumably it takes origin from residence… which means …

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The Possibilities of a Revelat...

by Zohreen Murtaza

  I am just a few minutes into an interview with acclaimed artist  and founder …

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Studio Visit: Rashid Arshed ...

by Ali Adil Khan

Rashid Arshed lives in Montclair, California – a quiet suburb of Los Angeles. From a …

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Unravelling the Conundrum of L...

by Zohreen Murtaza

The nod of deference. The soft, submissive acceptance. A profusion of polite thank yous. As …

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Moeen Faruqi...

by Veera Rustomji

As part of ‘Drawing Documents’ a four part series examining the multifaceted qualities in drawing, …

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Questioning Hierarchies and Co...

by Zohreen Murtaza

When I sit down to describe Masooma’s works, the list reads like a flippant dismissal …

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Ehsan ul Haq – The Brico...

by Sehr Jalil

We sit on a sixth floor, small conference room with a close group of MA …

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Studio Visit: Shireen Kamran f...

by Ali Adil Khan

Montreal is well known for its numerous art galleries and museums, and at a point …

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Rashid Rana...

by Madyha Leghari

  It is difficult to say anything about Rashid Rana’s work that hasn’t previously been …

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Ghulam Mohammad – Jameel Pri...

by Zahra Khan

Talent and luck play an enormous role in the career of a successful artist, but …

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In Conversation with Bina Sark...

by Veera Rustomji

When a friend and I were asked by a colleague if we could show Bina …

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Studio Visit: Ruby Chishti in ...

by Ali Adil Khan

Ruby Chishti’s studio is located in an up and coming neighborhood of Brooklyn, New York. …

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The Country of Last Things: Hu...

by ArtNow

‘The Country of Last Things: Huma Mulji in Conversation with Noorjehan Bilgrami’ took place at …

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In Conversation with Amin Gulg...

by Veera Rustomji

Veera Rustomji: For your recent show at Canvas Gallery, Zarmeene Shah’s supporting text indicated that …

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Sultan Ali Allana...

by Sameera Raja

As Chairman of Pakistan’s largest commercial bank, Sultan Ali Allana is considered to be a …

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Adeela Suleman...

by

As Bibi Shirini and other Pashto songs battle with roaring motorcycle engines in the semi-commercial …

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Studio Visit: Irfan Hasan...

by Sehr Jalil

Irfan and I were batch fellows at the National College of Arts, Lahore. He chose …

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Wahab Jaffer: In Profile...

by ArtNow

Wahab Jaffer, one of Pakistan’s most respected abstract artists, was born in Poona in 1941. …

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In Conversation with Amir Butt...

by Shanzay Subzwari

by Shanzay Subzwari A look into the seasoned art collector’s abode, where he displays his …

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Encountering Shilpa Gupta...

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“When you are in Mumbai, please do call my friend and go see her work”. …

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Basir Mahmood: Amassing Feathe...

by

With residency after residency, Basir Mahmood (born 1985, Lahore) is thriving in the international art …

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Hameed Haroon...

by Aziz Sohail

In Pakistani publishing and media. and art and culture communities, the name of Hameed Haroon …

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In Conversation with Salima Ha...

by Farida Batool

Salima Hashmi is an acclaimed artist, writer and the Founding Dean of the School of …

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Bani Abidi: Journey of the Nar...

by Hajra Haider Karrar

The blue background with a portrait of the founder of the nation on the left …

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In Conversation with Amber Ham...

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Sehr Jalil Raja: Your work is almost centre stage to everyday life. Any childhood or …

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Studio Visit: Murree Museum Ar...

by Saba Khan

While driving up to Murree, the entire mountain thundered upon us. A torrential monsoon poured …

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Mohammad Ali Talpur: Line, Lan...

by Dua Abbas Rizvi

by Dua Abbas Rizvi In plays by Harold Pinter, the pause is where a lot …

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In Conversation with Muhammad ...

by Shanzay Subzwari

by Shanzay Subzwari Shanzay Subzwari: Hi Zeeshan, hope you’re well. You recently returned from your …

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In Conversation with Ayesha Zu...

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Ayesha Zulfiqar is an artist and art educator, recently returned after her post graduate studies …

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Lala Rukh: A Visual Synopsis...

by Sehr Jalil Raja

by Sehr Jalil Raja This is Lahore, 1982, and a group of fifteen jovial women …

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Mussarat Mirza: A Personal Acc...

by Quddus Mirza

by Quddus Mirza Once upon a time, in a far and small city, a child …

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In Conversation with Feroze Gu...

by ArtNow

by ArtNow ArtNow: Can you please talk about the Gujral Foundation, how the idea for …

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In Conversation with Rashid Ra...

by Madyha Leghari

by Madyha Leghari “My work is a negotiation between the actual and the remote. The …

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The Artist Visits the Artist...

by Natasha Jozi

by Natasha Jozi Yesterday, I planned to visit the studio of an artist – who …

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Sanki King: The Graffiti Artis...

by Shanzay Subzwari

by Shanzay Subzwari I always wanted to know how Pakistan’s pioneering graffiti artist came to …

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Naiza Khan and Sonya Battla: M...

by Simone Wille

Born in Bahawalpur in 1968, internationally acclaimed visual artist Naiza H. Khan studied at the …

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Studio Visit: Laila Rahman...

by Sehr Jalil Raja

by Sehr Jalil Raja Laila Rahman’s abode in DHA, Lahore is distinct and otherworldly – …

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Munawar Ali Syed: The City as ...

by

Karachi, as an object of desire, continues to inspire artists to reimagine its varied spaces …

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The Body is Present: A Convers...

by Natasha Jozi

Creative process seeks evolution. It is admirable when artists willfully respond and converse with the …

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An Expansionist View: Amin Gul...

by Zarmeené Shah

Amin Gulgee and I spoke at length about his work as a sculptor a little …

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In Conversation with Iftikhar ...

by Aziz Sohail

Artist and scholar Iftikhar Dadi, who is associate professor in Cornell University’s Department of History …

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An Unfamiliar Space: Studio Vi...

by

It was only in the fourth and last week of the residency that I got …

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In Conversation with Ambereen ...

by ArtNow

Ambreen Karamat has recently established White Turban, a company that deals with Pakistani art and …

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Rasheed Araeen...

by Aniqa Imran

Rasheed Araeen, born in 1935, is a London-based conceptual artist, writer, and curator. He graduated …

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Art Goes On: In Conversation W...

by Hajra Haider Karrar

Hajra Haider Karrar: Your marriage brought you to Pakistan. Soon you were well integrated into …

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Jalal Uddin Ahmed...

by

Jalal Uddin Ahmed was born in Lucknow in 1925. He graduated with Honors in 1945 …

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Farewell to Imran Mir...

by ArtNow

Imran Mir was a unique person and painter in the world of Pakistani art. Not …

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Inspiration: Divine Interventi...

by Hajra Haider Karrar

Four young artists have been approached for this interview, whose works emerge from personal narratives …

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Studio Visit: Waseem Ahmed...

by

As I stand outside a centrally located home in Johar Town, which acquires a personal …

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Interview with Mobina Zuberi...

by Aasim Akhtar

Interview with Mobina Zuberi – painter, art collector, and former gallery owner – conducted in …

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Confessions of an Art Collecto...

by

In an exclusive meeting, Ms. G, the renowned art collector of this country, disclosed some …

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Studio Visit: Mohammad Ali Tal...

by

On an offshoot of the hustling-bustling Waris Road, behind the Fatima Medical College Hostel, is …

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A Conversation with Wardha Sha...

by

Wardha Shabbir is a Lahore-based miniature artist who recently undertook an Artist in Residence programme …

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Shahid Sajjad: The Non-conform...

by

Shahid Sajjad: a man, an institution, beyond his Zeitgeist. He created his own language, made …

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Faiza Butt: “We can only liv...

by Zahra Khan

Faiza Butt is one of Pakistan’s most dynamic artists. Charismatic, passionate, and intelligent, she successfully …

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Studio Visit: Ali Azmat...

by Jahanzeb Haroon

Located in the barren Bridge Colony near the military cantonment of Lahore is an oasis …

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In Conversation with Lavinia F...

by

AN Italian Art, like the Indian Art, precedes and predates the political/national states of Italy …

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Anwar Maqsood: The Man of Mult...

by ArtNow

During the condolence meeting for BM in Karachi, every speaker took the opportunity to talk …

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Lighting the Fire: Interview w...

by Cosima Brand

Naeem Pasha is a living treasure in the Pakistani art world; a Renaissance man who …

Wahab Jaffer is a renowned artist & an art collector in his own rights.

Studio Visit: An Hour with Wah...

by Veera Rustomji

“These were taken out from my grandson’s room; they were too old apparently.” Carefully placing …

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Landscapes of Ethereal Light...

by

Zarmina Bakhtiar is warm and gregarious, with a personable, open demeanour. We first meet in …

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Studio Visit: Nadia Khawaja...

by

In 1932 sculptor Janet De Coux apprenticed with James Earle Fraser. In a letter from …

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Beautiful and Grotesque: In Co...

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Haajra Haider Karrar: When did you first realize that you want to pursue art? Tell …

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In Conversation With Afshar Ma...

by Madyha Leghari

Afshar Malik (b. 1955, Bahawalpur) has had a long and illustrious career in the arts. …

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Interview with Shireen Kamran...

by

Aziz Sohail: Tell me a bit about your path to becoming an artist Shireen Kamran: I started …

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Amin Rehman: A Subversive Scri...

by Dua Abbas Rizvi

‘He had been taught that language was essentially inadequate, that it could never speak what …

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Studio Visit: Pietro Ruffo...

by Lavinia Filippi

In the heart of San Lorenzo’s neighbourhood in Rome, a pasta factory was transformed into …

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Visit: Aisha Khalid...

by Sehr Jalil Raja

Her CV is kept in the last page of my diary; I’ve let the load …

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In Conversation with Imran Mir...

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Haajra Haider Karrar: When did you realize your interest in art? What made you decide to …

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Studio Visit: Ayaz Jokhio...

by

Many of you may already be acquainted with Ayaz Jokhio’s workspace. It is tucked away …

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A Life with Earth: Sheherezade...

by Ilona Yusuf

So from this clay-and-nothing, color and oil glaze, I Can again strike sparks…’ (from Hasan the …

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In Conversation with Akbar Naq...

by Hajra Haider Karrar

Hajra Haider Karrar: According to your qualifications, you have a PHD in English literature, yet …

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Interview with Rashid Arshad...

by

An interview with Rashid Arshad, the calligraphic artist and former principal of Central Institute of …

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Studio Visit: Imran Channa...

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“I stretch an idea as much as I can, explore all corners of possibilities until …

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Shahkaar – In Conversati...

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As we flock around her right after our final MA Visual Arts First Year Juries …

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Amra Ali: Taking a Leap of Fai...

by Hajra Haider Karrar

HH: The proposal is found in the absence of a project brief. In your curatorial …

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Sana Arjumand: Peeling Away th...

by Cosima Brand

Sana Arjumand’s studio is light-filled. It hits you as you climb the stairs from her …

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Noorjehan Bilgrami: The Avant-...

by Rabeya Jalil

Noorjehan Bilgrami in her Sri Lanka studio. A painter, textile designer, gallery owner, entrepreneur, curator, …

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Studio Visit: Afshaar Malik...

by Dua Abbas Rizvi

On entering Afshaar’s Malik studio in Lahore, I was shown into a very crowded room. …

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A Metal Playground: Visiting A...

by Seher Naveed

No one, other than his assistants, are allowed inside Amin Gulgee’s workshop. It is his …

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In Conversation with Meher Afr...

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Hajra Haider: Your life is divided in two very distinct chapters; being a student in …

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In Conversation with Durriya K...

by ArtNow

ArtNow: How and when did you decide to become an artist? Durriya Qazi: There was …

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Interview: Mohammad Ali Talpur...

by Dua Abbas Rizvi

Dua Abbas Rizvi: Tell us a little about the transition from your earlier work to …

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Roohi S. Ahmed...

by ArtNow

Roohi Ahmed is presently pursuing her Masters degree in Fne Art from College of Fine …

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Talha Rathore...

by ArtNow

Talha Rathore, born 1970, Gujranwala, Pakistan received a Bachelors of Fine Art from National College …

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Words, Shapes, and Color...

by Brett Bourbon

Words, Shapes, and Color I once wrote a poem called “The Fate of Seeming.” Simeen …

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Salima Hashmi: Multiple Views...

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In our art world, Salima Hashmi has moved from being a person to a phenomenon. …

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In Conversation with Shilpa Gu...

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ArtNow: Can you please discuss the concept, background, context and the process of your work …

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Iqbal Geoffrey: The Incredible...

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“I took two hundred drawing to Ali Imam and asked him to pick 100, which …

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In Conversation with Huma Mulj...

by Saira Sheikh

Saira Sheikh talks to Huma Mulji, a Lahore-based artist working in sculpture, painting and photography. …

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Antonia Laura...

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Art Now – Responses fromTalks to Antonia Carver and Laura Egerton and Antonia Carver ArtNow …

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CANVASSING FOR ART – SAMEERA...

by By Art Now

For the past fourteen years Sameera Raja, the director of Canvas Gallery, has been contributing …

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IMRAN Mir...

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EXPERIMENTS IN SPACE Imran Mir works in a large, light-filled open studio. The studio walls …

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Memoirs of Art in Pakistan...

by by Sajida Ali

Marjorie Husain is an integral part of the Pakistani art scene on several levels: artist, …

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Like a Magician’s Act...

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Hasnat Mehmood talks to ArtNow about why he oscillates between various art forms and why …

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Ayaz Jokhio...

by

In the domain of visual arts, the definition of the term ‘medium’ has always been …

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R.M. Naeem...

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RM Naeem attained his BFA from National College of Arts, Lahore in 1993 and subsequently …

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Ambreen Butt...

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ArtNow: How is the miniature in your paintings perceived by viewers in the west? I …

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Ahmed Ali Manganhar...

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Ahmed Ali Manganhar was born in Tando Allahyar and studied at the National College of …

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Lubna Agha...

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Aasim Akhtar was fortunate enough to interview Lubna Agha before she passed away. This was …

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Naiza Khan...

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Naiza H. Khan studied art at the Wimbledon School of Art, and later, whilst at …

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Seher Shah...

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Seher Shah received her Bachelor of Fine Arts and Bachelor of Architecture from the Rhode …

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Seher Shah...

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Seher Shah received her Bachelor of Fine Arts and Bachelor of Architecture from the Rhode …

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Muhammad Zeeshan...

by ArtNow

Muhammad Zeeshan is a young but established artist who entered the Miniature Department at National …

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Qasim Riza Shaheen...

by Diaspora

Once upon a time in a distant land I was a boy who danced in …

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Masooma Syed...

by ArtNow

Diasporic artist Masooma Syed talks to ArtNow about the eclectic strands in her work. ArtNow: …

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Ruby Chishti...

by ArtNow

Ruby Chishti discusses elements of her visual vocabulary and talks of her take on feminism. …

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Through A Glass Darkly...

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Mian Ijaz-ul-Hassan is a painter who has always worked against the grain, generating massive controversies …

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Nusra Latif Qureshi...

by

Nusra Latif Qureshi is a neo-miniaturist trained at the National College of Arts, Lahore. She …

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The kooky Indian girl who once...

by Saira Ansari

Saira Ansari talks to Vidha Saumya, an Indian artist who came to study at BNU …

VidhaSaumyamar2012_1

The kooky Indian girl who once...

by Saira Ansari

Saira Ansari talks to Vidha Saumya, an Indian artist who came to study at BNU …

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Rashid Arshed...

by ArtNow

ArtNow talks to Rashid Arshed, artist and former Principal CIAC about art past and art …

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The kooky Indian girl who once...

by Saira Ansari

Saira Ansari talks to Vidha Saumya, an Indian artist who came to study at BNU …

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Adeela Suleman...

by Veera Rustomji

As Bibi Shirini and other Pashto songs battle with roaring motorcycle engines in the semi-commercial …

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Moeen Faruqi: Visceral Encount...

by Asma Mundrawala

Asma Mundrawala: Let’s begin by talking about your imagery. Who are these people in your …

TazeenQayyumfeb2012_6

Tazeen Qayyum...

by

ArtNow: The idea of entomology is an integral part of your oeuvre. What does it …

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Huma Bhabha...

by ArtNow

Huma Bhabha was born in 1962 in Karachi, Pakistan, and currently lives and works in …

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Irfan Hasan...

by ArtNow

ArtNow: Why did you choose to become a miniature artist? Was it the tempting ‘bandwagon’? …

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Khalil Chishtee...

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ArtNow: One of the most significant responses to your work is an overriding darkness and …

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People and Other Singularities...

by

Moeen Faruqi remains one of the most stubbornly unclassifiable of contemporary artists. However vividly the …

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Of Beards and Bodies...

by ArtNow

by ArtNow It has taken far too much time for the art world to wake …

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Adeel uz Zafar...

by ArtNow

by ArtNow ArtNow: There seems to be a hiatus of about eight years between the …

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The Unkind Truth...

by Aasim Akhtar

by Aasim Akhtar When the entrepreneurial artist Umer Butt founded Grey Noise in 2008, as …

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Narratives of the Absurd...

by Asma Mundrawala

Bani Abidi trained in painting and printmaking at National College of Arts, Lahore, but her …