Sohail Zuberi’ s
‘Makaan/Ghar’ (House/Home) is an observation of the immediate environment around 63, Commissariat, where this installation is didplayed,and the city in general.
Across decades, Karachi has undergone (and continually endures) a radical and mostly unplanned
modification into a megalopolis. The desultory expansion leaves limited to no opportunities and amenities to
accommodate its surging inhabitants, who in the face of which consequentially adapt to the domestic
constraints and exploit the everyday dynamics to their advantage.